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B.B. King
At a recent B.B. King concert, TFJ associate editor Marc Greilsamer went backstage and was graced by a rare, lengthy interview with the guitar legend. The scope of their interview is vast—from King’s early days as the Beale Street Blues Boy to the endless stream of sold-out gigs he’s playing today. Acclaimed rock photographer Jay Blakesberg takes all-new photographs of King, and of Lucille. |
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The David Grisman Quintet
Thirty years ago, the David Grisman Quintet unleashed its groundbreaking debut recording. Instrumental music has never been the same since. Matt Sircely interviews the original Quintet lineup of Grisman, Darol Anger, Todd Philips, Tony Rice and Mike Marshall on the days leading up to the band’s formation, their instruments and their early sessions jamming together. Surprising, never-before-scene photographs from the DGQ’s archives are featured throughout this oral history.
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Z.Vex Pedals
Zachary Vex is the mastermind behind such offbeat (and highly sought after) effects pedals as the Fuzz Factory, the Lo-Fi Loop Junky and the Jonny Octave. In Dave Hunter’s interview with Vex, the gear tinkerer explains the inspiration for these wild stomp boxes and some of the thought that goes into wiring his hand-painted creations. Photographs by Tony Nelson take us behind-the-scenes to the Z.Vex workshops in Minnesota.
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The First Martin OM
The story behind Martin’s first Orchestra Model (OM) guitar has been documented before, but never quite like this. Mining newly discovered finds from the Martin guitar archives, Richard Johnston describes the reality behind that first OM guitar made for banjo great Perry Bechtel and how widely its specs differed from the OMs of today. Lengthy correspondence between Bechtel and C.F. Martin III reveals that Bechtel was just like so many of us today: an obsessive guitar nut seeking his perfect instrument. |
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Bill Pitman
For thirty years, studio guitarist and bassist Bill Pitman graced some of the biggest pop and rock recordings of all time. He played on Sinatra’s “Strangers in the Night,” the Byrds’ “Mr. Tambourine Man,” on every Phil Spector Hollywood recording session and on some of the Beach Boys biggest hits. Remember the ukulele on “Raindrops Keep Falling on My Head?” That’s him, too. Jim Carlton interviews Pitman about the countless sessions he did, the economics of being a studio player and the musicians he admires most. |
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Pete Ross
In 1989, a fateful day at a record store turned then-punk rocker Pete Ross onto the banjo. Today, Ross creates some of the most authentic, highest quality 19th-century style banjos available anywhere. Bob Carlin interviews the builder about the copious amounts of research that goes into each of his creations, while photos by Cynthia Connolly show off some of these amazing instruments.
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The Old Town School of Folk Music
In a gorgeous photo essay, photographer Eric Futran pays tribute to Chicago’s venerable Old Town School of Folk Music. Every week, about 6,000 residents of the Windy City pass through the Old Town’s doors for music classes, dance classes, concerts and more, but the school’s history stretches for just about 50 years. Great photos abound of both the Old Town’s early, great concerts and of today’s classes in action. |
Sergei de Jonge
The de Jonge School of Lutherie outside of Toronto is a unique place where anyone with a month of spare time and a desire to build guitars can work alongside one of the best acoustic guitarmakers alive. Warren Gash took the course and walks us through the process of building two guitars with Sergei de Jonge: a concert classical and a 00 steel-string.
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| Plus: Tommy Ramone, Charlie Nothing, Canada’s Six String Nation Guitar, Buck Owens, Hamilton de Holanda and much more. |
| Available in June 2007 via Subscription and at finer music stores, Borders, Barnes & Noble and select newsstands. |
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